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Showing page 129 of 3498.
The New Yorker @NewYorker
Congratulations to Will Heller, 26, who, after a month at a Zen silent-meditation retreat, returned to his job at Goldman Sachs as a commodities trader in oil and gas. https://t.co/W0dliNER4B — PolitiTweet.org
The New Yorker @NewYorker
In 2003, David Sedaris wrote about the childish delight (and parental despair) of an unexpected snow day. #NewYorkerArchive https://t.co/iuSl4cP29C — PolitiTweet.org
The New Yorker @NewYorker
“I was after the big picture of how someone fits into a family, and how everybody in that family is adapting and developing in ways that are either visible or invisible,” the photographer Angela Cappetta said, of her series “Glendalis.” https://t.co/xTnfTwPv6n — PolitiTweet.org
The New Yorker @NewYorker
The 1999 movie “Drop Dead Gorgeous” is offensive, for sure—but it is also hilarious, surprisingly tender, and lavishly, magnificently absurd, Jia Tolentino writes. https://t.co/UctpnpVMUW — PolitiTweet.org
The New Yorker @NewYorker
Haruki Murakami was about to turn 30 when a thought occurred to him: “You know what? I could try writing a novel.” Then he realized, “If I wanted to have a long life as a novelist, I needed to find a way to stay in shape.” https://t.co/ISXnlVCjoG — PolitiTweet.org
The New Yorker @NewYorker
In @newyorkerhumor, a skateboarder shares his recommendations for the best decks to ride on a dead planet. https://t.co/IF3NIA5X44 — PolitiTweet.org
The New Yorker @NewYorker
The soccer journalist Grant Wahl, who died while reporting on the World Cup, understood how the game could connect people, and sought to build those connections himself. https://t.co/36GBTG8o4w — PolitiTweet.org
The New Yorker @NewYorker
Credit-card companies want their customers to know that a new piece of legislation could end rewards programs—causing them to inadvertently call attention to a very peculiar feature of the industry. https://t.co/xjdfcfDSHG — PolitiTweet.org
The New Yorker @NewYorker
“The only reason I wasn’t standing in the record store at 5:30 P.M. on May 17, 1974, is that a bus strike meant that we’d had to cycle to school”: in a Personal History, Bono writes about narrowly dodging one of the deadliest bombings of the Troubles. https://t.co/OFi4JxoWMw — PolitiTweet.org
The New Yorker @NewYorker
A cartoon by @EmilyFlake, from 2017. #NewYorkerCartoons https://t.co/5VnVZrf3HX https://t.co/FfSnUlGYCd — PolitiTweet.org
The New Yorker @NewYorker
Early in Amy Schumer’s career, she was branded a sex comic. Now that she’s married with a three-year-old son, she’s still talking about sex—but her tone has shifted. https://t.co/0MI68F7v5H — PolitiTweet.org
The New Yorker @NewYorker
“Over the summer, I declared the skate wing at Place des Fêtes to be the dish of the year,” our food critic Hannah Goldfield writes. “I stand by that.” https://t.co/3ijucWp0VA — PolitiTweet.org
The New Yorker @NewYorker
Son of the King of the Koopas, in the Mario franchise: eight letters. https://t.co/Q8hXdfO4Vx — PolitiTweet.org
The New Yorker @NewYorker
Can you guess this famous figure in six clues or fewer? https://t.co/MnxvP0aGk7 — PolitiTweet.org
The New Yorker @NewYorker
On a new episode of the Political Scene, @sbg1, @JaneMayerNYer, and @eosnos discuss the biggest news stories of the year: the Supreme Court’s decision to overturn Roe v. Wade, Russia’s invasion of Ukraine, and more. Listen here. https://t.co/09JmxwfKi3 — PolitiTweet.org
The New Yorker @NewYorker
None of the world’s most troubling crises seem likely to abate anytime soon, @wrightr writes. https://t.co/FfOClkx88c — PolitiTweet.org
The New Yorker @NewYorker
On #NewYorkerRadio, Jeanna Kadlec, whose memoir is about leaving the evangelical church, discusses the pain of “breaking up with God”—and why there was no alternative for her. Listen here. https://t.co/Yc3IrinwAe — PolitiTweet.org
The New Yorker @NewYorker
A cartoon by Amy Hwang. #NewYorkerCartoons https://t.co/IKUP2VXS4L — PolitiTweet.org
The New Yorker @NewYorker
At the Holiday Train Shit Show, enjoy classic works by the M.T.A., such as “Track Fire.” https://t.co/o3snmMUPrz — PolitiTweet.org
The New Yorker @NewYorker
Angela Cappetta’s photographs of Puerto Rican New Yorkers living on Stanton Street document a family, a community, and a young girl’s transforming relationships. https://t.co/q6ZYNb3iZC — PolitiTweet.org
The New Yorker @NewYorker
Joe Biden’s rebound is a marker not only of a President whose great skill is persistence in the face of adversity, @sbg1 writes, “but of a leader whose foes have underestimated him—and the fractious country he heads—at great cost to themselves.” https://t.co/BIJ7ofdmJu — PolitiTweet.org
The New Yorker @NewYorker
There are no fixed boundaries in the world of Patti Smith, who was born on this day in 1946: her dreams seep through her waking hours, the dead speak to her, she journeys on a whim, Anwen Crawford writes. https://t.co/MM870PpSqi — PolitiTweet.org
The New Yorker @NewYorker
“Staying alive in a Ukrainian trench requires a daunting combination of stamina, vigilance, and luck.” Luke Mogelson reports from the country’s nearly 700-mile front line, which is faced with constant missile fire and drone surveillance. https://t.co/qE8ROIW83n — PolitiTweet.org
The New Yorker @NewYorker
“I’m always very suspicious about artists who are ambivalent about recognition,” the artist Kehinde Wiley says. “The ability to have something to say and reach people? That’s a dream.” https://t.co/AWtYA1XQIM — PolitiTweet.org
The New Yorker @NewYorker
A cartoon by Bruce Eric Kaplan. #NewYorkerCartoons https://t.co/5zvXdaGNv7 — PolitiTweet.org
The New Yorker @NewYorker
In a foreword to the January 6th report, published in partnership with @CeladonBooks, David Remnick ruminates on the historic significance of the House Select Committee’s findings—and why it’s vital that we engage with them. https://t.co/bzeFFysQiG — PolitiTweet.org
The New Yorker @NewYorker
.@newyorkerhumor, from 2016: “It is with deep sorrow that we announce the passing of Bess Kalb. The cause of death was botulism from a homemade strawberry-rhubarb jam that was prepared by one of her housemates.” https://t.co/CMK0M5fls7 — PolitiTweet.org
The New Yorker @NewYorker
“Ingmar Bergman’s ‘Scenes from a Marriage,’ from 1973, is the greatest artistic exploration of the vicissitudes of marital loneliness,” Agnes Callard writes. https://t.co/3FIyYD4M10 — PolitiTweet.org
The New Yorker @NewYorker
In France, the rise of French tacos is a lot like that of the iPhone, a fast-food founder says: “one day it wasn’t there, and the next day it was, and nobody knows how they lived without it.” https://t.co/nQFcnzWsYL — PolitiTweet.org
The New Yorker @NewYorker
Ryo Takemasa plans to start the new year in his new studio, high up in the mountains of Nagano Prefecture, at an altitude of 1,400 metres. The artist discusses his cover for this week’s magazine, and how the setup of a workspace can fuel creativity. https://t.co/D484l2JYvE — PolitiTweet.org
