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The New Yorker @NewYorker
In João Gonzalez’s animated short “Ice Merchants,” sketches and music do the talking. Watch the film, which is short-listed for an Oscar, here. https://t.co/lvSomdyDCV — PolitiTweet.org
The New Yorker @NewYorker
Voice below soprano: four letters. https://t.co/6qoQ0zR3yP — PolitiTweet.org
The New Yorker @NewYorker
The subjects of Sheron Rupp’s photographs can often be found in their yards: people young and old move through gardens, sit back on porches, and stand amid drying laundry. https://t.co/Vb87zMeYmc — PolitiTweet.org
The New Yorker @NewYorker
I was the male lead in the movie that holds the Guinness World Record for the longest constant film shoot. Do you know who I am? https://t.co/h4cv6naknC — PolitiTweet.org
The New Yorker @NewYorker
Around 4,300 years ago, in a region that we now call Iraq, a sculptor chiselled into a white limestone disk the image of a woman presiding over a temple ritual. Some scholars believe that the priestess was also the world’s first recorded author. https://t.co/nEbBppnerE — PolitiTweet.org
The New Yorker @NewYorker
In 2019, Shane Gillis was fired from the cast of “S.N.L.” after a journalist unearthed a clip of him making offensive remarks. He understands why he was let go, he told the podcast host Joe Rogan. “I said wild shit. I’m going to *keep* saying wild shit.” https://t.co/X5VLukzjY9 — PolitiTweet.org
The New Yorker @NewYorker
Audiobooks are now a billion-dollar industry; they are about as popular, in dollar terms, as e-books, and may soon generate more revenue than Broadway. The boom has also lifted up the profession of narration. https://t.co/xQ8G6K9ygD — PolitiTweet.org
The New Yorker @NewYorker
“Perhaps this was what the woman had meant about the power that came over her: this sense of fragile beauty, but beauty nonetheless.” A short story by Ayşegül Savaş. https://t.co/5PQ8u0xMuo — PolitiTweet.org
The New Yorker @NewYorker
.@voxtrot’s reunion tour carried older fans “back to 2007: to our 20s, to college, to crushes and heartbreak, and, perhaps most of all, to the desire to have those tumultuous feelings captured, stoked, and soothed by song,” @apcbapcb writes. https://t.co/fwOIgv1MrO — PolitiTweet.org
The New Yorker @NewYorker
The comedian Caitlin Reilly revived her acting career with short character videos on TikTok—but she wasn’t always elated when her content went viral. “It gave me a lot of anxiety,” she said. “It was, like, Oh, no! People are going to see it!” https://t.co/aY3CKueVFs — PolitiTweet.org
The New Yorker @NewYorker
Face-filter videos on Instagram can help users make money, improve the odds of getting lucrative brand deals, and grow their audiences. But it’s not exactly the content they’re the most proud of. https://t.co/Fc6nkcAMpC — PolitiTweet.org
The New Yorker @NewYorker
RT @jamie_raskin: “Every time they try to dehumanize, whether politically or technologically, our task is to rehumanize.” For those who… — PolitiTweet.org
The New Yorker @NewYorker
Clara Kirkpatrick chronicles a night of destruction in a very big red coat. https://t.co/NDtTXXuHfe https://t.co/D5JpfFYn2w — PolitiTweet.org
The New Yorker @NewYorker
A forthcoming graphic novel tells the story of a vivid but forgotten historical figure: Stephanie St. Clair, or Queenie, a Black female boss who ran an uptown numbers game during the Harlem Renaissance. https://t.co/fr7AafIPat — PolitiTweet.org
The New Yorker @NewYorker
“Blog rock” was “mostly mediocre,” @apcbapcb writes, and “MP3 blogs were very obviously high on their own supply. But, in the little world they created, human enthusiasm was its own currency.” https://t.co/01GssMjLFI — PolitiTweet.org
The New Yorker @NewYorker
Favorite color swatches, your flossing routine, and other things to talk about when people bring up the latest prestige TV show you haven’t seen. https://t.co/64DZnRYyk2 — PolitiTweet.org
The New Yorker @NewYorker
Caitlin Reilly is one of a batch of comedians who shot to notoriety by making short, low-tech character videos during lockdown. It was more of a survival tactic than anything, Reilly said—“not out of commercial need or financial need but emotional need.” https://t.co/5PkXif4hjn — PolitiTweet.org
The New Yorker @NewYorker
In João Gonzalez’s animated film “Ice Merchants,” which is short-listed for an Oscar, a father and son harvest ice from their house—which is affixed to a sheer rock face—then parachute off their deck to deliver it to the valley dwellers below. Watch here. https://t.co/WYSjYu1kf2 — PolitiTweet.org
The New Yorker @NewYorker
The geneticist Kathryn Paige Harden seeks to convince progressives that, in the fight for social justice, genes matter: “Building a commitment to egalitarianism on our genetic uniformity is building a house on sand,” Harden writes. https://t.co/2yse254CQc — PolitiTweet.org
The New Yorker @NewYorker
Need to cancel plans? Let us help. https://t.co/0LtjoC6TUf — PolitiTweet.org
The New Yorker @NewYorker
Most of us are more excited about our brilliant friends than about the companies they work for. What if we could invest in their entire careers? https://t.co/eFEi9jvuSy — PolitiTweet.org
The New Yorker @NewYorker
.@cbattan on why, in spite of its reputation, Reddit has gradually become her digital home base. https://t.co/anHrrKu7Hh — PolitiTweet.org
The New Yorker @NewYorker
The freshest observations—and emotional wallops—in a new TV adaptation of Taffy Brodesser-Akner’s novel center on the accrual of the sometimes uncategorizable breaches that women are expected to quietly endure. https://t.co/Yp8Zojwoh3 — PolitiTweet.org
The New Yorker @NewYorker
.@winterjessica examines balanced literacy, an enormously influential pedagogy that determined how generations of students learned—or didn’t learn—to read. https://t.co/lSseCmN8Zb — PolitiTweet.org
The New Yorker @NewYorker
“The long night is over—you’ll never carry your own bags or professional weight again.” In @newyorkerhumor, a man gets welcomed into his new status as a seven. https://t.co/ndt52aiUjA — PolitiTweet.org
The New Yorker @NewYorker
The main reason that the British Empire was able to sustain itself for more than two centuries, the historian Caroline Elkins maintains, was that the British model of state violence came wrapped in a “velvet glove” of liberal reform. https://t.co/tLdBavTEAc — PolitiTweet.org
The New Yorker @NewYorker
In “Theater of the Mind,” a new immersive show co-created by David Byrne, audience members are invited to travel through a red-lit tunnel to tour a character’s “memory palace.” https://t.co/lpENErereJ — PolitiTweet.org
The New Yorker @NewYorker
Haruki Murakami was about to turn 30 when a thought occurred to him: “You know what? I could try writing a novel.” Then he realized, “If I wanted to have a long life as a novelist, I needed to find a way to stay in shape.” https://t.co/GILo9fEoh0 — PolitiTweet.org
The New Yorker @NewYorker
“When I first came to A.A., I thought my only problem was drinking. But a funny thing happened to me when I put down the bottle: I just picked up everything else.” https://t.co/UGpUujAZpx — PolitiTweet.org
The New Yorker @NewYorker
The bonsai master Masahiko Kimura shaped his apprentices the way he shapes trees: mercilessly, radically. “He fucked me up bad,” one student said. https://t.co/KmxTBvbfcZ — PolitiTweet.org
