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The New Yorker @NewYorker

Martin McDonagh treads familiar turf in his black comedy set in rural Ireland in 1923, but the performances of Brendan Gleeson, Colin Farrell, and Kerry Condon give everything life. https://t.co/QKaoUKKCWB — PolitiTweet.org

Posted Jan. 5, 2023
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The New Yorker @NewYorker

In her work, the photographer and filmmaker Lauren Greenfield captures the perpetual making and lavish expenditure of wealth. https://t.co/N1cRJliK2N — PolitiTweet.org

Posted Jan. 5, 2023
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The New Yorker @NewYorker

At the Manuscript Writing Café, in Tokyo, people who aren’t facing a deadline aren’t welcome. Customers can order occasional polite check-ins or an employee looming silently over them while they work. https://t.co/zUlO0Za7qT — PolitiTweet.org

Posted Jan. 5, 2023
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The New Yorker @NewYorker

Stéphane Bourgoin riveted audiences with tales of his encounters with the “Son of Sam” murderer David Berkowitz and the “Killer Clown” John Wayne Gacy. He was revered as an expert on serial killers—until fans dug into his story. https://t.co/84yc1uzYrr — PolitiTweet.org

Posted Jan. 5, 2023
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The New Yorker @NewYorker

In 1981, the French artist Sophie Calle took a job as a hotel maid in Venice and recorded what she found in the rooms, looking through wallets, transcribing unsent postcards, and photographing the contents of wastebaskets. https://t.co/nhKcBXA4Uv — PolitiTweet.org

Posted Jan. 5, 2023
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The New Yorker @NewYorker

“You need a dose of humor, or you are going to take each other by the throat.” An interview with the therapist Esther Perel, from 2020. https://t.co/VsCRIMKyhG — PolitiTweet.org

Posted Jan. 5, 2023
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The New Yorker @NewYorker

A cartoon by @saralautman. #NewYorkerCartoons https://t.co/xNk2UlDXot — PolitiTweet.org

Posted Jan. 5, 2023
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The New Yorker @NewYorker

In Marguerite Duras’s newly translated novel “The Easy Life,” keeping house is a defense against the shattering for… https://t.co/HmX5Os95ZT — PolitiTweet.org

Posted Jan. 5, 2023
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The New Yorker @NewYorker

Brendan Fraser stands at the front of the race for the Academy Award for Best Actor. But his transformation into a lonely, obese man has troubled many in the fat-acceptance movement. https://t.co/N0W0J7wBZ6 — PolitiTweet.org

Posted Jan. 5, 2023
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The New Yorker @NewYorker

From “The Days,” by @AdrienneSu. Read it in full: https://t.co/eVH9vCDEZn https://t.co/cKB9rwbz3u — PolitiTweet.org

Posted Jan. 5, 2023
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The New Yorker @NewYorker

Credit-card companies want their customers to know that a new piece of legislation could end rewards programs—causing them to inadvertently call attention to a very peculiar feature of the industry. https://t.co/KG7nEboMIQ — PolitiTweet.org

Posted Jan. 5, 2023
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The New Yorker @NewYorker

Anne Brigman was an artist who helped shape American modernist, feminist, and landscape photographic traditions—and she was one of the first women to photograph herself in the nude. https://t.co/qiGdDMAVKW — PolitiTweet.org

Posted Jan. 5, 2023
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The New Yorker @NewYorker

“Go Ask Alice,” the supposedly real diary of a teen drug addict, was really the work of a straitlaced stay-at-home mom. https://t.co/b2XhMKYaWa — PolitiTweet.org

Posted Jan. 5, 2023
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The New Yorker @NewYorker

Two recent books examine how social media traps users in a brutal race to the bottom. https://t.co/N9l4wZi1SL — PolitiTweet.org

Posted Jan. 5, 2023
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The New Yorker @NewYorker

For a long time the origin of flowers was uncertain, in part because they are so ephemeral. But over the course of 50 years, one paleobotanist has discovered more than 200 species of fossilized flowering plants. https://t.co/xzQu50CeuW — PolitiTweet.org

Posted Jan. 5, 2023
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The New Yorker @NewYorker

“Couples Therapy” has turned Orna Guralnik into a rare thing: a famous ­analyst. Her popularity rests on her frank clinical style, which involves nudging patients to the edge of a terrifying emotional precipice, then encouraging them to jump. https://t.co/YnE9yNbiHX — PolitiTweet.org

Posted Jan. 5, 2023
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The New Yorker @NewYorker

Molly Ringwald recalls starring in Jean-Luc Godard’s interpretation of “King Lear”—one of the director’s most unconventional films. https://t.co/4WYWZx4rM6 — PolitiTweet.org

Posted Jan. 5, 2023
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The New Yorker @NewYorker

The dating app Feeld asks its users to be open about their desires. Other apps, for all their creative prompts, never state the question plainly: What kind of sex do you want to have? https://t.co/QSlDYTZjdJ — PolitiTweet.org

Posted Jan. 5, 2023
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The New Yorker @NewYorker

Many people accept the idea that each of us has a certain resolute innerness—a kernel of selfhood that we can’t share with others. What interested Virginia Woolf was the way that we become aware of that innerness. https://t.co/Xil6pZIYwT — PolitiTweet.org

Posted Jan. 5, 2023
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The New Yorker @NewYorker

Emma Thompson is the only person in the history of the Academy Awards to win in both writing and acting categories. Her Oscars are displayed in her bathroom, above the toilet, with a can of Brasso metal polish between them. https://t.co/VW6ODvmXB1 — PolitiTweet.org

Posted Jan. 5, 2023
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The New Yorker @NewYorker

Thousands of women who claim that Johnson & Johnson’s talcum powder gave them ovarian cancer filed lawsuits—then the company pulled a legal maneuver that stalled their cases and prevented others from even filing. https://t.co/DNDnDmGo5S — PolitiTweet.org

Posted Jan. 5, 2023
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The New Yorker @NewYorker

Nearly 30 years after “Seinfeld” first aired, @sayrafiezadeh sat down to watch every episode of the show—from start to finish, one episode a day. “I was alone and swallowing ‘Seinfeld’ whole,” he writes. https://t.co/TlINwA4YwC — PolitiTweet.org

Posted Jan. 5, 2023
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The New Yorker @NewYorker

“There is no end to the making of lists, but I’d be lying if I said that I didn’t enjoy reading them as much as I like making them,” Richard Brody writes. See his favorite of movies of 2022. https://t.co/d1BTmwFWOQ — PolitiTweet.org

Posted Jan. 5, 2023
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The New Yorker @NewYorker

Takara Tomy, the toy company that created Transformers, has designed a rolling lunar robot called SORA-Q. It’s now en route to the moon. https://t.co/DsXoZd9yzL — PolitiTweet.org

Posted Jan. 5, 2023
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The New Yorker @NewYorker

On a new episode of The Political Scene, Luke Mogelson talks about what he witnessed during his time in Ukraine, embedded with a group of fighters from around the world who have joined the war against Russia. Listen here. https://t.co/ApzkR2ZQEb — PolitiTweet.org

Posted Jan. 5, 2023
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The New Yorker @NewYorker

Two recent productions—“Des Moines,” the final play by the late writer Denis Johnson, and “Between Riverside and Crazy,” by Stephen Adly Guirgis—feature alcohol as a spur and a guiding presence, a conduit to otherwise fugitive knowledge. https://t.co/nHC5NXrovy — PolitiTweet.org

Posted Jan. 4, 2023
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The New Yorker @NewYorker

A cartoon by @lizadonnelly. #NewYorkerCartoons https://t.co/4pcTUwbgww — PolitiTweet.org

Posted Jan. 4, 2023
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The New Yorker @NewYorker

RT @fbajak: I’ve read some fine front-line Ukraine reporting but this by Luke Mogelson, who accompanied foreigners on a heart-stopping miss… — PolitiTweet.org

Posted Jan. 4, 2023 Retweet
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The New Yorker @NewYorker

As Benjamin Netanyahu and other members of the Israeli government “clamp down and become more strict,” the lawyer and activist Raja Shehadeh says, “they’re not going to be as successful.” https://t.co/BvMRevvgVK — PolitiTweet.org

Posted Jan. 4, 2023
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The New Yorker @NewYorker

Many kids born during the pandemic—in what some experts are calling an “immunity gap”—avoided the usual viral infections of infancy. They are getting all those infections now. https://t.co/jqCLQfZRVz — PolitiTweet.org

Posted Jan. 4, 2023