Deleted tweet detection is currently running at reduced
capacity due to changes to the Twitter API. Some tweets that have been
deleted by the tweet author may not be labeled as deleted in the PolitiTweet
interface.
Showing page 118 of 3498.
The New Yorker @NewYorker
The bonsai artist Ryan Neil has been in therapy for years, attempting to root out the odd mixture of insecurity and callousness that was ingrained in him during a six-year apprenticeship that he describes as “mental warfare.” https://t.co/ti0Iea8PXH — PolitiTweet.org
The New Yorker @NewYorker
In the past month in China, hospitals, pharmacies, and funeral homes have been overwhelmed with COVID-19 cases, but the scale of the misery is anyone’s guess. The country no longer tallies asymptomatic infections or reliably reports COVID deaths. https://t.co/Fm2SWtIh8X — PolitiTweet.org
The New Yorker @NewYorker
The Toll House Chocolate Crunch Cookie was the perfect antidote to the Great Depression: in a single, inexpensive, hand-held serving, it contained the very richness and comfort that millions of people were forced to live without in the late 1930s. https://t.co/tGcDkaMYYY — PolitiTweet.org
The New Yorker @NewYorker
From 2016: Although many people dismiss it as a geriatric delicacy, the fig is a biological and evolutionary wonder. https://t.co/MuqNs5KgIA — PolitiTweet.org
The New Yorker @NewYorker
Jordan Peele’s film, “Nope,” takes a previously explored concept—the unwelcome arrival of outsiders from afar—many ingenious steps further. https://t.co/lAjyUP7R4d — PolitiTweet.org
The New Yorker @NewYorker
“A true Chicago-style hot dog has at least a dozen unbreakable rules,” @hels writes, “involving nine exactingly specific ingredients, particular methods of preparation, and the precise order of assembly.” https://t.co/p9XN7DsYc9 — PolitiTweet.org
The New Yorker @NewYorker
A @brooklynmuseum retrospective of Jimmy DeSana displays the artist’s most erotic, compulsive, unsettling work. https://t.co/EVQKYfcd9e — PolitiTweet.org
The New Yorker @NewYorker
.@cbattan rounds up the best music of 2022—Beyoncé, Beach House, and more. https://t.co/3R0fHgdneZ — PolitiTweet.org
The New Yorker @NewYorker
The science-fiction writer Joanna Russ “was brilliant in a way that couldn’t be denied, even by those who hated her,” B. D. McClay writes. https://t.co/bIWbSnefme — PolitiTweet.org
The New Yorker @NewYorker
These days in Kyiv, news of air raids is more commonly communicated by smartphones than by sirens, giving Ukrainians real-time information about where the Russian missiles are coming from and generally where they’re going. https://t.co/h5uPYusJwa — PolitiTweet.org
The New Yorker @NewYorker
What can our unreal, alternate selves say about our real ones? https://t.co/aMTu89OXPT — PolitiTweet.org
The New Yorker @NewYorker
What hibernation looks like for Emily of “Emily in Paris.” https://t.co/fEm5o8oIPv — PolitiTweet.org
The New Yorker @NewYorker
When Bob Woodward began interviewing Donald Trump during the pandemic, he found access to be unprecedented—disconcertingly so, he says, on #NewYorkerRadio. Listen here. https://t.co/XLFO9f6UqJ — PolitiTweet.org
The New Yorker @NewYorker
If there is a thesis statement in Emily Ratajkowski’s somewhat muddled new essay collection, it’s that physical beauty—in particular, a near-perfect, if outdated, sort of beauty—is a heavy cross to bear, @CBattan writes. https://t.co/mkaLGFmp3e — PolitiTweet.org
The New Yorker @NewYorker
Criticism has a way of surviving without infrastructure, but there is no replacement for institutions that cultivate a point of view over time. https://t.co/gLDGDyI3TL — PolitiTweet.org
The New Yorker @NewYorker
“If we can green a building, we can green a block,” the C.E.O. of a green-energy startup said. “If we can green a block, we can green a neighborhood, and a city. So we should do that, and show everyone it can be done.” https://t.co/8PG8tOjdnO — PolitiTweet.org
The New Yorker @NewYorker
See all of the cartoons that you liked the most in 2022. https://t.co/qiF6xbcyBq — PolitiTweet.org
The New Yorker @NewYorker
Behold: an absurdly simple trick for choosing between “who” and “whom.” https://t.co/8ZKBAjAz89 — PolitiTweet.org
The New Yorker @NewYorker
Greenland sharks, one of nature’s least elegant creatures, have an estimated lifespan of up to 600 years. https://t.co/Q5TFnzqHdP — PolitiTweet.org
The New Yorker @NewYorker
On #NewYorkerRadio, the writer Louisa Thomas discusses an uncomfortable truth: football’s danger to players is part of its singular popularity. Listen here. https://t.co/t9ROAwuZEG — PolitiTweet.org
The New Yorker @NewYorker
“We are hurt in relationships, and we are healed in them, too”: Akhil Sharma reflects on becoming a father at age 50—and the healing he found in the process. https://t.co/v1O4pQ3FTn — PolitiTweet.org
The New Yorker @NewYorker
“This was the practice: I was starting to get rid of my possessions, at least the useless ones, because possessions stood between me and death.” A Personal History by Ann Patchett. https://t.co/TW5u7ehBbP — PolitiTweet.org
The New Yorker @NewYorker
“But I don’t know how to edit videos!” you say. That’s not our problem. Our only problem is deciding how we’re going to mess with you next. https://t.co/zvTxlXjxLr — PolitiTweet.org
The New Yorker @NewYorker
.@cbattan reviews Jonah Hill’s “Stutz” and Selena Gomez’s “My Mind & Me,” two films that turn the process of caring for one’s mental health as an artist into art itself. https://t.co/swUcUi4rRq — PolitiTweet.org
The New Yorker @NewYorker
The enduring fealty of many House Republicans to Donald Trump is likely to become clear in the aftermath of Kevin McCarthy’s election to Speaker of the House. https://t.co/Mmzc8IcKjM — PolitiTweet.org
The New Yorker @NewYorker
In @newyorkerhumor, seeking answers to an age-old question. https://t.co/HZabE0HESm — PolitiTweet.org
The New Yorker @NewYorker
The photographer Vivian Maier roamed the streets with her camera, capturing images of sublime spontaneity, wit, and compositional savvy. https://t.co/dFkorrKARk — PolitiTweet.org
The New Yorker @NewYorker
The new film “Women Talking” is adapted from a novel by Miriam Toews. “The cinematic package in which the text is delivered doesn’t entirely do it justice,” @tnyfrontrow writes. https://t.co/4o8pschXWP — PolitiTweet.org
The New Yorker @NewYorker
Using the tactics that effectively banned abortion in Texas before Roe v. Wade was overturned, liberal legislators could defy unfavorable precedents on guns, campaign finance, free speech, and voting rights. https://t.co/G8zX4NGABy — PolitiTweet.org
The New Yorker @NewYorker
Alice Diop’s finely controlled and subtly controlling film “Saint Omer” tells a troubling story of guilt, matricide, and racism. https://t.co/fJEC0wUa8W — PolitiTweet.org
