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The New Yorker @NewYorker
“He was like a puzzle that I could never put together, but couldn’t quite put back into the box, either.” Molly Ringwald reflects on working with the enigmatic director Jean-Luc Godard. https://t.co/qIhcg8SqUZ — PolitiTweet.org
The New Yorker @NewYorker
@MrsMCollett Hello, Melissa. We regret any inconvenience this issue has caused you, and we'll be more than willing to assist you with this. Please send us a DM with complete details about this matter so that we can look into it and provide you with the best and most timely solution. — PolitiTweet.org
The New Yorker @NewYorker
“Amadeus” choreographer Twyla: five letters. https://t.co/KjVMEgBfn4 — PolitiTweet.org
The New Yorker @NewYorker
Can you name this Oscar winner and near Olympic athlete in six clues or fewer? https://t.co/0X3POSuxBa — PolitiTweet.org
The New Yorker @NewYorker
The Teamsters represent some 350,000 UPS workers, and the union is threatening to go on strike when their contract expires this summer. Jennifer Gonnerman reports on what’s at stake. https://t.co/MsP9YjN6cm — PolitiTweet.org
The New Yorker @NewYorker
Beatrix Potter believed that her first books found an audience because they were written for real children. “I often think that that was the secret of the success of Peter Rabbit, it was written to a child—not made to order,” she wrote. https://t.co/7O72Z91Sbh — PolitiTweet.org
The New Yorker @NewYorker
Anne Brigman was an artist who helped shape American modernist, feminist, and landscape photographic traditions—and she was one of the first women to photograph herself in the nude. https://t.co/dpmGKFPe7c — PolitiTweet.org
The New Yorker @NewYorker
.@MJSchulman chronicles how an unlikely alliance between Gregory Peck and Candice Bergen brought the Academy Awards up to date. https://t.co/AhzFZYNvEO — PolitiTweet.org
The New Yorker @NewYorker
What goes on between your ears? Temple Grandin, whose book focusses on visual thinking, sees detailed pictures. “I see hardly any visual images,” Joshua Rothman writes. “If her mind is an IMAX theatre, mine is a fax machine.” https://t.co/KBPX3oOztG — PolitiTweet.org
The New Yorker @NewYorker
At least 25,000 migrants have disappeared while crossing the Mediterranean. In an effort to give dignity to the dead and closure to their loved ones, a forensic anthropologist is working to identify the bodies recovered from wreckages. https://t.co/UkjYUwy8TE — PolitiTweet.org
The New Yorker @NewYorker
From 2005: Of all the domesticated animals, none become feral more readily, or survive better in the wild, than the hog. https://t.co/5aejQIp7aN — PolitiTweet.org
The New Yorker @NewYorker
Joe Biden’s rebound is a marker not only of a President whose great skill is persistence in the face of adversity, @sbg1 writes, “but of a leader whose foes have underestimated him—and the fractious country he heads—at great cost to themselves.” https://t.co/N0kktODjrB — PolitiTweet.org
The New Yorker @NewYorker
Maxwell Frost, the Gen Z Congressman from Florida, won his seat on a promise of bold change. Can he deliver in a bitterly divided House? https://t.co/PkDG31AZ0o — PolitiTweet.org
The New Yorker @NewYorker
Writers’ complaints about The New Yorker’s house style are a robust theme of the correspondences found in a collection papers that belonged to the former fiction editor Gustave S. Lobrano. Read Mary Norris's findings within the as-yet-unsorted archive: https://t.co/aYvaVaeUyk — PolitiTweet.org
The New Yorker @NewYorker
Almost 70 per cent of Netflix’s subscriptions now come from outside the U.S. and Canada. @rachsyme explores the company’s quest for worldwide TV domination. https://t.co/9eD8qCNL2V — PolitiTweet.org
The New Yorker @NewYorker
“I love the shots on the new ‘looser’ C-SPAN. It’s kind of like C-span after hours,” the TV show runner and director David Mandel said. https://t.co/v4TVm9DpK2 — PolitiTweet.org
The New Yorker @NewYorker
Kurt Vonnegut knew for sure he wasn’t good enough to be a writer. Then his wife stepped in. https://t.co/XXDJKhxU7O — PolitiTweet.org
The New Yorker @NewYorker
Damien Chazelle’s film “Babylon” is a rewrite of “Singin’ in the Rain” as a tragedy, although one with plenty of satirical comedy. https://t.co/WGEr3QOPRj — PolitiTweet.org
The New Yorker @NewYorker
Stevie Nicks reflects on the origins of some of her most famous songs, staying in touch with the spirit realm, and her friendship with Prince. https://t.co/IsnUM2Vxka — PolitiTweet.org
The New Yorker @NewYorker
In Denis Johnson’s “Des Moines,” as elsewhere in the late writer’s œuvre, the characters are desperately sad, but their psyches are shot through with deep and often numinous yearnings. https://t.co/IePGxy2KO4 — PolitiTweet.org
The New Yorker @NewYorker
.@cbattan on why, in spite of its reputation, Reddit has gradually become her digital home base. https://t.co/P91d1eETIs — PolitiTweet.org
The New Yorker @NewYorker
A cache of art, letters, journals, and photographs by Stuart Sutcliffe, who joined the Beatles in 1960 and left in 1961, suggests that, without Sutcliffe’s arrival, the band might not have found its way. https://t.co/CV2nrHYCOm — PolitiTweet.org
The New Yorker @NewYorker
The beloved Canadian novelist Miriam Toews grew up in a town founded by Mennonites, with an oppressive, censorious atmosphere. Now, she writes irreverently of the sacred and the serious: https://t.co/E5IEKFsaWN — PolitiTweet.org
The New Yorker @NewYorker
The main reason that the British Empire was able to sustain itself for more than two centuries, the historian Caroline Elkins maintains, was that the British model of state violence came wrapped in a “velvet glove” of liberal reform. https://t.co/ikI3sO6X9x — PolitiTweet.org
The New Yorker @NewYorker
In the 1960s, a host of poets moved to Bolinas, California, but no single school emerged: the work they produced shows remarkable varieties of stanza shape, pacing, and rhythmic organization. https://t.co/b3BgYv8bq2 — PolitiTweet.org
The New Yorker @NewYorker
What happens when jobs are guaranteed? A small Austrian village has implemented a program to find out. https://t.co/VapmlVSNvJ — PolitiTweet.org
The New Yorker @NewYorker
The freshest observations—and emotional wallops—in a new TV adaptation of Taffy Brodesser-Akner’s novel center on the accrual of the sometimes uncategorizable breaches that women are expected to quietly endure. https://t.co/FL9qPWHwpk — PolitiTweet.org
The New Yorker @NewYorker
“An hour ago, a day ago, eight days ago; death apart, death of a life that we had lived nine months together, a life he had just left separately.” Marguerite Duras on her stillborn child. https://t.co/rz9A2OKfDp — PolitiTweet.org
The New Yorker @NewYorker
.@voxtrot’s reunion tour carried older fans “back to 2007: to our 20s, to college, to crushes and heartbreak, and, perhaps most of all, to the desire to have those tumultuous feelings captured, stoked, and soothed by song,” @apcbapcb writes. https://t.co/htRIn3vFZe — PolitiTweet.org
The New Yorker @NewYorker
In front of Dougie Wallace’s camera, the dogs of New York City “look resplendently human,” @jiatolentino wrote, in 2017. See more canine portraits, from Wallace’s “Well Heeled” series. https://t.co/RfahjZzmbE — PolitiTweet.org
