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The New Yorker @NewYorker
.@sbg1, @janemayernyer, and @eosnos discuss the new House Select subcommittee and the recent revelation that Joe Biden had a number of classified documents in his possession. Listen here. https://t.co/JyFXNIc1uQ — PolitiTweet.org
The New Yorker @NewYorker
At least 25,000 people have disappeared crossing the Mediterranean to Europe and are presumed dead. The forensic anthropologist Cristina Cattaneo is working to identify bodies to give loved ones a sense of closure—and the possibility of legal recourse. https://t.co/FnxyKMxXaW https://t.co/uaP3hYIsIG — PolitiTweet.org
The New Yorker @NewYorker
UPS drivers deliver more than five billion parcels a year in the U.S. Now, some 300,000 workers are threatening to walk off the job when their contract expires in July. https://t.co/yRslLNH6P1 https://t.co/cR0BTB5bpH — PolitiTweet.org
The New Yorker @NewYorker
After pro-Bolsonaro demonstrators rioted, the Brazilian National Congress “looked like a video game set in a zombie apocalypse: wooden desks were torn into pieces . . . cans of pepper spray and abandoned police shields littered the ground,” @embot writes. https://t.co/996ArMbVgy — PolitiTweet.org
The New Yorker @NewYorker
The French director Alice Diop does more in “Saint Omer” than create an original and far-reaching courtroom drama, @tnyfrontrow writes. https://t.co/lZHBeP8yxm — PolitiTweet.org
The New Yorker @NewYorker
If you liked “Harry & Meghan,” @newyorkerhumor has a few suggestions for your watch list. https://t.co/iEMDmA5ILC — PolitiTweet.org
The New Yorker @NewYorker
Charles Simic, who died this week, at the age of 84, contributed poems to The New Yorker for half a century. Simic wrote surreal, philosophical verse marked by a profound sense of joy, Hannah Aizenman writes. https://t.co/R8LGeRCoh8 — PolitiTweet.org
The New Yorker @NewYorker
Should age disqualify Joe Biden or Donald Trump from another term in the White House? The staff writers Jane Mayer and Jill Lepore, plus the gerontologist Jack Rowe, discuss. Listen here, on #NewYorkerRadio. https://t.co/VZI9qZ9MKP — PolitiTweet.org
The New Yorker @NewYorker
“Casino Royale” actress Green: three letters. https://t.co/wqecz3M4Oo — PolitiTweet.org
The New Yorker @NewYorker
The best thing to eat at SYKO, a Korean and Syrian restaurant in Windsor Terrace, is one of the best things our food critic Hannah Goldfield has ever eaten. https://t.co/G2YXYVGNpB — PolitiTweet.org
The New Yorker @NewYorker
A cartoon by @dsipress. #NewYorkerCartoons https://t.co/oC8SLphygS — PolitiTweet.org
The New Yorker @NewYorker
In Vicky Krieps’s new film, “Corsage,” she plays the Empress Elisabeth, who, with her husband, Franz Joseph, ruled the Austro-Hungarian Empire in the late 19th century. “Sissi was a little in touch with something ahead of her time,” Krieps says. https://t.co/FtJPR0wdVo — PolitiTweet.org
The New Yorker @NewYorker
“It had been a long time since I’d given any thought to my boyhood, devoutness, obedience, my family.” New fiction by Han Ong. https://t.co/FFkuGyzw9a — PolitiTweet.org
The New Yorker @NewYorker
What does it mean to live off the grid in a city? No wall outlets, no gas hookup, no taxis. Elevators are out. Running water is in. You’ll need some essentials, including a handheld battery, a portable solar charger, and roof access. https://t.co/BpXPi4759W — PolitiTweet.org
The New Yorker @NewYorker
At a live recording of @ThisAmerLife, this standup told a story about her many chance encounters with the pop singer Taylor Dayne. Who is it? Guess here. https://t.co/O6UkwO7dQL — PolitiTweet.org
The New Yorker @NewYorker
“All we can do is breathe the air of the period we live in, carry with us the special burdens of the time, and grow up within those confines. That’s just how things are.” A Personal History by Haruki Murakami. https://t.co/bLW3wmIBk0 — PolitiTweet.org
The New Yorker @NewYorker
Prince Harry’s autobiography, “Spare,” “may offer the most thoroughgoing scything of treacherous royals and their scheming courtiers” since “Hamlet,” @Rebeccamead_NYC writes. https://t.co/gruk9mXYNx — PolitiTweet.org
The New Yorker @NewYorker
“It’s rare these days to have an unvarnished, unexpected encounter with a work of art,” @etammykim writes. But during a visit to the Museum of Contemporary Art in Busan, South Korea, she stumbled upon the self-taught painter Oh U-Am. https://t.co/qMwml6Ausz — PolitiTweet.org
The New Yorker @NewYorker
The new short film “Further and Further Away” is based on true events from 2018, when an Indigenous village was destroyed in the construction of a hydroelectric dam, and the community relocated to “toy houses.” Watch the full narrative here: https://t.co/Nmb8cHttfm — PolitiTweet.org
The New Yorker @NewYorker
“Sometimes, I long to live in the desert from the car commercials—where the One Car is not a hip urban prowler but a biggish truck.” From @newyorkerhumor: https://t.co/EaF5U2V3tt — PolitiTweet.org
The New Yorker @NewYorker
The Royal Shakespeare Company’s tender adaptation of Hayao Miyazaki’s 1988 anime “My Neighbour Totoro” handles the beautiful, mysterious Studio Ghibli film by never hurrying, and sometimes even slowing down, its meandering, stately pace. https://t.co/d7yjnspU4T — PolitiTweet.org
The New Yorker @NewYorker
“I’ve always just wanted to work,” Julia Louis-Dreyfus said. “When it’s singing? You look up and it’s four hours later.” The “Seinfeld” star was born on this day in 1961. https://t.co/z1FiSpbxAt — PolitiTweet.org
The New Yorker @NewYorker
.@Rebeccamead_NYC reviews “Spare,” the much anticipated, luridly leaked, and compellingly artful autobiography of Prince Harry. https://t.co/sbbfIbrunR — PolitiTweet.org
The New Yorker @NewYorker
Against front-loaded, somersaulting sentences. https://t.co/e7i7eR5u15 — PolitiTweet.org
The New Yorker @NewYorker
“The stolen election narrative has proven to be remarkably durable precisely because it is a matter of belief—not evidence, or reason,” the January 6th report states. It does not ask why this should be. https://t.co/6a6iGk4AKd — PolitiTweet.org
The New Yorker @NewYorker
In “Theater of the Mind,” a new immersive show co-created by David Byrne, audience members are invited to travel through a red-lit tunnel to tour a character’s “memory palace.” https://t.co/qtVfyCAQZ4 — PolitiTweet.org
The New Yorker @NewYorker
In João Gonzalez’s animated short “Ice Merchants,” sketches and music do the talking. Watch the film, which is short-listed for an Oscar, here. https://t.co/uVBw8jUwRr — PolitiTweet.org
The New Yorker @NewYorker
A forthcoming graphic novel tells the story of a vivid but forgotten historical figure: Stephanie St. Clair, or Queenie, a Black female boss who ran an uptown numbers game during the Harlem Renaissance. https://t.co/5mFQl9HIJH — PolitiTweet.org
The New Yorker @NewYorker
“I think anger can be a spark, but it doesn’t actually do the political work for you. Certainly it doesn’t do the writing for you!” Read a new interview, on anger and tenderness, with the playwright Sarah Ruhl. https://t.co/J8GWjyO4HW — PolitiTweet.org
The New Yorker @NewYorker
By mass-producing face-filter videos, aspiring creators who had previously struggled to find an audience on Instagram saw their videos reach hundreds of millions of accounts per month—and made tens of thousands of dollars. https://t.co/lmVvtse0Pi — PolitiTweet.org
