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The New Yorker @NewYorker
On #NewYorkerRadio, David Remnick talks with the staff writers Jane Mayer and Jill Lepore, along with the prominent gerontologist Jack Rowe, about how to evaluate a candidate’s competency for office. https://t.co/vs7t9KG61z — PolitiTweet.org
The New Yorker @NewYorker
“Further and Further Away,” Polen Ly’s new short film, stars two actors whose lives were impacted by the real-life hydropower dam that inspired Ly’s fictional story. Watch the film here: https://t.co/qCC5PfzTji — PolitiTweet.org
The New Yorker @NewYorker
Punchdrunk’s “The Burnt City” is Felix Barrett and Maxine Doyle’s immersive version of the Trojan War: part warehouse party, part night club, part evening-length choreographic performance. https://t.co/ivBnGTqRtG — PolitiTweet.org
The New Yorker @NewYorker
In late November, @etammykim visited the 84-year-old artist Oh U-Am at his home in Hamyang, South Korea. There, Oh talked in short stream-of-consciousness bursts, about his Busan childhood, South Korean politics, and the meaning of individual art works. https://t.co/yEhYGUSFfM — PolitiTweet.org
The New Yorker @NewYorker
None of the world’s most troubling crises seem likely to abate anytime soon, @wrightr writes. https://t.co/fhnYy8RtAq — PolitiTweet.org
The New Yorker @NewYorker
In an essay that would make up the bulk of his book “The Fire Next Time,” James Baldwin mines the relationship between religion and race in America. https://t.co/Kk2Bx1duJz — PolitiTweet.org
The New Yorker @NewYorker
In Marguerite Duras’s newly translated novel “The Easy Life,” keeping house is a defense against the shattering force of sexuality. https://t.co/vyaLVEjbpF — PolitiTweet.org
The New Yorker @NewYorker
What if you started itching—and couldn’t stop? #NewYorkerArchive https://t.co/knATdWEjwW — PolitiTweet.org
The New Yorker @NewYorker
.@IChotiner and Neil Eggleston, the White House counsel during the final years of Obama’s Presidency, discuss what it means to find classified documents at the private office and home of President Joe Biden. https://t.co/Eh5yAk6Bdq — PolitiTweet.org
The New Yorker @NewYorker
In @newyorkerhumor: some helpful road signs for your colleagues. https://t.co/Qfd6KRijdd — PolitiTweet.org
The New Yorker @NewYorker
Most everything people have assumed about the author of “A Confederacy of Dunces” is at least a little wrong. https://t.co/wR8QEwUvjR — PolitiTweet.org
The New Yorker @NewYorker
Medicare’s hospice benefit rewards providers for recruiting patients who aren’t imminently dying. Long hospice stays translate into larger margins, and many for-profit hospice companies have found ways to game the system. https://t.co/QcI2E9SKyT — PolitiTweet.org
The New Yorker @NewYorker
From 2014: Shel Silverstein detested stories with happy endings. As he once put it, “The child asks, ‘Why don’t I have this happiness thing you’re telling me about?’ ” https://t.co/ePOXtAsxXS — PolitiTweet.org
The New Yorker @NewYorker
The first dinosaurs lived in a world without flowers. When, and how, did they originate? https://t.co/2yQtxkFz8B — PolitiTweet.org
The New Yorker @NewYorker
The new coalition government in Israel is not normal, Bernard Avishai writes. “It is a turn in Israeli history, with dangerous consequences for Israeli liberals, Arab Israelis, Palestinians, and the region.” https://t.co/fg9201FjB9 — PolitiTweet.org
The New Yorker @NewYorker
From 2017: Isabel Magowan captures the enchantment of “The Nutcracker,” and the darker reality of ballet behind the scenes. https://t.co/aoC7GRtpsb — PolitiTweet.org
The New Yorker @NewYorker
From 2018: Unexplained brain injuries afflicted dozens of American diplomats and spies. What happened? https://t.co/rwRnbuAg5f — PolitiTweet.org
The New Yorker @NewYorker
Even before the director Todd Field’s newest film “Tár” came out, something curious happened: people started talking about Lydia Tár as if she were a real person. Part of this sprang from the movie’s resemblance to a bio-pic. https://t.co/PYxc3ApFXN — PolitiTweet.org
The New Yorker @NewYorker
For James Baldwin, “new laws, gestures of sympathy, and acts of racial charity would never suffice to change the course of the country,” Eddie S. Glaude, Jr., writes. “Something more radical had to be done; a different history had to be told.” https://t.co/EfJ9B9Kdvi — PolitiTweet.org
The New Yorker @NewYorker
Alicia Rodriguez Alvisa’s kaleidoscopic photo series “You Are There, Are you there?, There You Are” captures the tension between artist and muse, photographer and subject, and woman and her image of herself. https://t.co/4XWdWlbPk5 — PolitiTweet.org
The New Yorker @NewYorker
The artist Tala Madani, whose first major U.S. museum show is on view at @MOCAlosangeles, discusses how she found femininity in her artwork, the power of humor, and the ongoing crisis in Iran. https://t.co/Dk6MrWq7Na — PolitiTweet.org
The New Yorker @NewYorker
The poet Charles Simic, who contributed to The New Yorker for half a century, died this month, at the age of 84. His last appearance in the magazine was with a suite of six poems, printed last year in June. Read them all: https://t.co/RabxZ4Zft7 https://t.co/njiwHjxBYo — PolitiTweet.org
The New Yorker @NewYorker
Heirs to an iconic fortune sought out a wealth manager who would assuage their progressive consciences. Now their dispute is exposing dynastic secrets. https://t.co/6QB6gaI5O6 — PolitiTweet.org
The New Yorker @NewYorker
Many kids born during the pandemic—in what some experts are calling an “immunity gap”—avoided the usual viral infections of infancy. They are getting all those infections now. https://t.co/FwzlLBDPHD — PolitiTweet.org
The New Yorker @NewYorker
“There’s a misunderstanding among certain aspects of our readership about what it is we do,” Maggie Haberman says. “They’re outraged by what we’re covering, and they don’t understand why it’s not having the effect it should.” https://t.co/YilcKExDHO — PolitiTweet.org
The New Yorker @NewYorker
It is difficult to build utopian housing in a non-utopian world. Could 3-D printing be the answer? https://t.co/gFge0dy2md — PolitiTweet.org
The New Yorker @NewYorker
James Lasdun unwinds a pair of murders in South Carolina—a case that turned him “into a full-on Reddit-scraping, podcast-devouring follower,” he writes. https://t.co/qWbgPKA5av — PolitiTweet.org
The New Yorker @NewYorker
Photographs by Ave Pildas—taken between 1972 and 1975 and collected in the recent book “Star Struck”—capture an enticingly seedy sliver of Hollywood history. https://t.co/qrO2eGThRy — PolitiTweet.org
The New Yorker @NewYorker
In “A Private Spy,” a new volume of John le Carré’s letters, the novelist corresponds with an eclectic array of recipients. The most revealing letter might be his gently discouraging reply to a 10-year old boy who wanted advice on how to become a spy. https://t.co/WQmgFIZR7e — PolitiTweet.org
The New Yorker @NewYorker
Much of Uri Lotan’s animated short “Black Slide,” which is short-listed for an Oscar, takes place in a water park. But the memories he relied on when creating it are far from the usual summer fun. https://t.co/w164VSS6US — PolitiTweet.org
