The Economist @TheEconomist
The release of Beyoncé’s new album, “Renaissance”, has reopened one of the thorniest debates in pop music: who owns a melody? From 2019 https://t.co/DLm87pFb8k — PolitiTweet.org
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The Economist @TheEconomist
The release of Beyoncé’s new album, “Renaissance”, has reopened one of the thorniest debates in pop music: who owns a melody? From 2019 https://t.co/DLm87pFb8k — PolitiTweet.org