The Economist @TheEconomist
With “The Potato Eaters” Van Gogh was reaching for a new authenticity, an appreciation of misshapen beauty that refused to romanticise its subjects https://t.co/xLadN5IHa5 — PolitiTweet.org
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The Economist @TheEconomist
With “The Potato Eaters” Van Gogh was reaching for a new authenticity, an appreciation of misshapen beauty that refused to romanticise its subjects https://t.co/xLadN5IHa5 — PolitiTweet.org