{"id": 991277383155101697, "lang": "en", "text": "RT @michikokakutani: The digital manipulation of video may make the current era of \u201cfake news\u201d seem quaint, writes @franklinfoer. https://t\u2026", "urls": [], "user": {"id": 47448886}, "id_str": "991277383155101697", "source": "<a href=\"http://twitter.com\" rel=\"nofollow\">Twitter Web Client</a>", "deleted": true, "hashtags": [], "retrieved": "2018-07-29--23-53-44", "created_at": "Tue May 01 11:25:19 +0000 2018", "retweet_count": 47, "user_mentions": [{"id": 78400475, "name": "Michiko Kakutani", "screen_name": "michikokakutani"}, {"id": 153860327, "name": "Franklin Foer", "screen_name": "FranklinFoer"}], "legacy_imported": true, "retweeted_status": {"id": 991224627157495808, "lang": "en", "text": "The digital manipulation of video may make the current era of \u201cfake news\u201d seem quaint, writes @franklinfoer. https://t.co/8saN3eyOBw", "urls": [{"url": "https://t.co/8saN3eyOBw", "expanded_url": "https://www.theatlantic.com/magazine/archive/2018/05/realitys-end/556877/?utm_source=twb"}], "user": {"id": 78400475}, "id_str": "991224627157495808", "source": "<a href=\"http://twitter.com\" rel=\"nofollow\">Twitter Web Client</a>", "hashtags": [], "created_at": "Tue May 01 07:55:41 +0000 2018", "retweet_count": 47, "user_mentions": [{"id": 153860327, "name": "Franklin Foer", "screen_name": "FranklinFoer"}], "favorite_count": 63}}