Elahe Izadi | الهه

@ElaheIzadi ↗

Deleted No

Hibernated No

Last Checked April 19, 2022

Created

Mon Apr 04 14:32:19 +0000 2022

Likes

Retweets

Source

Twitter Web App

View Raw Data

JSON Data

View on Twitter

Likely Available

Elahe Izadi | الهه @ElaheIzadi

Usually interplay is all in service of jokes, at the expense of the audience member or the comedians, and the comedians is always in maintain control (unless, you know, heckling, things get out of hand, etc.) — PolitiTweet.org

Posted April 4, 2022

Preceded By

Elahe Izadi | الهه @ElaheIzadi

But I am so struck by the interplay between comic and crowd here. Usually we think of "crowd work"- the audience is an entity that is to be managed, worked into submission, or how Brian Regan put it, played like an instrument, the comic getting it emit a certain noise (laughter) — PolitiTweet.org

Posted April 4, 2022

Followed By

Elahe Izadi | الهه @ElaheIzadi

But in "Rothaniel," the audience members encourage and prompt introspection. It's more of an equal exchange/footing. They have something to offer the performer, who masterfully maintains control of the stage while not treating the crowd as an entity to be controlled. — PolitiTweet.org

Posted April 4, 2022