The New Yorker

The New Yorker @NewYorker

“To tell the truth, for a long time I denied (denial is a powerful drug) a fact I finally had to come to terms with when my mother appeared. Namely, that ghosts exist, and I can see them.” Fiction by Mariana Enriquez. https://t.co/0CJm076HzT — PolitiTweet.org

The New Yorker @NewYorker

Peyton Reed’s first three features—“Bring it On,” “Down with Love,” and “The Break-Up,” are among the most mercurial dashes from the starting gates of any Hollywood director of the time, @tnyfrontrow writes. https://t.co/oSS7uBcPIC — PolitiTweet.org