The New Yorker

The New Yorker @NewYorker

“In the pre-pandemic era (and, even more, in the pre-streaming era), a film’s artistic value wasn’t necessarily at odds with its commercial appeal,” @tnyfrontrow writes. “That has changed.” https://t.co/AHnyjCfuaV — PolitiTweet.org

The New Yorker @NewYorker

In the French director Alice Diop’s film “Saint Omer,” a “spare and straightforward method gives rise to a film of vast reach and great complexity,” @tnyfrontrow writes. https://t.co/U5CG9SSyiy — PolitiTweet.org