The New Yorker

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Last Checked Dec. 18, 2022

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Wed Dec 14 01:54:18 +0000 2022

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The New Yorker @NewYorker

Sam Mendes’s film “Empire of Light” is a “synthetic that presents itself as organic,” @tnyfrontrow writes. “The film smothers its authentic parts, never lets its drama take root and grow, never lets its characters come to life.” https://t.co/Ydy3m4WKcS — PolitiTweet.org

Posted Dec. 14, 2022

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The New Yorker @NewYorker

Although the Argentinean writer Manuel Puig’s novel-in-dialogue “Kiss of the Spider Woman” requires more work on the reader’s part than we are accustomed to, the result is a profound imaginative and emotional investment. https://t.co/yhZzrBG0Vi — PolitiTweet.org

Posted Dec. 14, 2022

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The New Yorker @NewYorker

One of the graces of “Your Own Personal Exegesis,” a play by Julia May Jonas that looks at the foibles of a Protestant youth group, is the specificity with which it displays the irrationality and cruelty of insecure adults. https://t.co/V4ZuYp54UU — PolitiTweet.org

Posted Dec. 14, 2022