
The New Yorker @NewYorker
“Performance is a kind of alchemy,” @MJSchulman writes, “so it’s rare that we get a controlled experiment that reveals how measurably it can swing a work of art.” Lea Michele’s Fanny, in the Broadway revival of “Funny Girl,” did just that. https://t.co/FQN8cA97j5 — PolitiTweet.org