
The New Yorker @NewYorker
.@alexrossmusic reviews two new operas: “The Hours,” based on Michael Cunningham’s novel, and “Omar,” a meditation on suffering and spirituality in 19th-century Black America. https://t.co/vpnjw8GReE — PolitiTweet.org
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Likely AvailableThe New Yorker @NewYorker
.@alexrossmusic reviews two new operas: “The Hours,” based on Michael Cunningham’s novel, and “Omar,” a meditation on suffering and spirituality in 19th-century Black America. https://t.co/vpnjw8GReE — PolitiTweet.org