The New Yorker

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Last Checked Dec. 10, 2022

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Tue Dec 06 08:59:39 +0000 2022

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The New Yorker @NewYorker

Jordan Peele’s film “Nope,” may “divide as many people as it conquers,” Anthony Lane writes. “Some may find it a bewildering hodgepodge; others will be wooed by its fetishistic penchant for the retro.” https://t.co/D2izKgMigx — PolitiTweet.org

Posted Dec. 6, 2022

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The New Yorker @NewYorker

When @worldofwomennft launched, in 2021, its female founder and subjects distinguished it in the male-dominated N.F.T. landscape—and it quickly drew the attention of celebrities like Reese Witherspoon and Gwyneth Paltrow. Then came the crypto crash. https://t.co/5gT1NzAMqW — PolitiTweet.org

Posted Dec. 6, 2022

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The New Yorker @NewYorker

In her documentary “All the Beauty and the Bloodshed,” Laura Poitras seamlessly weaves together Nan Goldin’s political work and her photography by drawing parallels between the two. https://t.co/CwyLs0StYk — PolitiTweet.org

Posted Dec. 6, 2022