The New Yorker

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Last Checked Dec. 8, 2022

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Sat Dec 03 19:22:05 +0000 2022

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The New Yorker @NewYorker

“All the Beauty and the Bloodshed,” Laura Poitras’s excellent, wrenching documentary about Nan Goldin, explores the power of the now 69-year-old photographer’s vision. https://t.co/QtRTPk9uAp — PolitiTweet.org

Posted Dec. 3, 2022

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The New Yorker @NewYorker

Since Theodore Roosevelt, Presidents have used the Antiquities Act to unilaterally set aside federal lands with particular historical or scientific significance. The fight to conserve the El Paso’s Castner Range and its surroundings started in the ‘70s. https://t.co/ZXjaaPTHG0 — PolitiTweet.org

Posted Dec. 3, 2022

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The New Yorker @NewYorker

In 1966, the South African photographer Ernest Cole left Johannesburg for Europe. His images, which showed Black life under the edicts of apartheid, made him a target of the South African regime. https://t.co/1H2smsRYXo — PolitiTweet.org

Posted Dec. 3, 2022