The New Yorker

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Last Checked Dec. 5, 2022

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Wed Nov 30 10:19:03 +0000 2022

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The New Yorker @NewYorker

“Their songs are really so musical,” the biologist and musician Sara Niksic said, about whalesong. “And the richness of the sounds—it’s so intense. And it’s immersive—when I listen to it, I kind of transport into the ocean.” https://t.co/73lCSPsDvL — PolitiTweet.org

Posted Nov. 30, 2022

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The New Yorker @NewYorker

In Gina Moxley’s play “The Patient Gloria,” at St. Ann’s Warehouse, a gender critique brushes up against lewd, droll, compelling spectacle. https://t.co/20D4euhdYw — PolitiTweet.org

Posted Nov. 30, 2022

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The New Yorker @NewYorker

During his six-year apprenticeship with a bonsai master, Ryan Neil saw his fellow apprentices slapped, punched, and kicked. During these beatings, Neil recalls, the master often watched and laughed. https://t.co/lGUMuiWvJw — PolitiTweet.org

Posted Nov. 30, 2022