The New Yorker

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Last Checked Nov. 30, 2022

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Fri Nov 25 09:12:51 +0000 2022

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The New Yorker @NewYorker

The conceptual artist Bernadette Mayer's “Memory” may be from 1971, but its nostalgia for summers lost speaks uncannily to our moment. https://t.co/JBnIBtyHJf — PolitiTweet.org

Posted Nov. 25, 2022

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The New Yorker @NewYorker

Patience, care, and an invisibly light touch are the hallmarks of the bonsai artform. The road to mastery is often characterized by absolute discipline, cruelty, and brutality. https://t.co/FXog4k9wDr — PolitiTweet.org

Posted Nov. 25, 2022

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The New Yorker @NewYorker

From “Half-Light,” a poem by Frank Bidart. Read it in full: https://t.co/GanhBFePgH https://t.co/CnwC4YDXfO — PolitiTweet.org

Posted Nov. 25, 2022