The New Yorker

The New Yorker @NewYorker

For all its tenderness, empathy, warmth, and verve, Steven Spielberg’s “The Fabelmans” has the feel of mythmaking, @tnyfrontrow writes—and what’s missing is a sense of history. https://t.co/MGhVQitIYn — PolitiTweet.org

The New Yorker @NewYorker

From the #NewYorkerArchive: The late writer Janet Malcolm on how Virginia Woolf’s sister, the painter Vanessa Bell, transformed a quiet Sussex farmhouse into the backdrop for some of Bloomsbury’s most extraordinary scenes—in life and in art. https://t.co/jLQeBSZXYu — PolitiTweet.org