
The New Yorker @NewYorker
Much of what @Helen_E_Shaw found moving about Tom Stoppard’s new play, “Leopoldstadt,” was not onstage. “Instead, it came in the reading that the play persuades you to do, and in the memories of those other Stoppard pieces,” she writes. https://t.co/JWHdqURfAv — PolitiTweet.org