The New Yorker

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Last Checked Oct. 4, 2022

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Thu Sep 29 07:52:28 +0000 2022

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The New Yorker @NewYorker

In the composer John Adams’s new opera, “Antony and Cleopatra,” the orchestra seethes beneath the singers, delivering brief, explosive outbursts. https://t.co/gP2ldO0rRw — PolitiTweet.org

Posted Sept. 29, 2022

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The New Yorker @NewYorker

The critic and memoirist Vivian Gornick on feminism, great literature, and what she gained from an affair with a man who proved himself to be a cheat and a liar: material. https://t.co/iKzmYX4i2O — PolitiTweet.org

Posted Sept. 29, 2022

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The New Yorker @NewYorker

This year, a host of events—and new publications, and even an app—honor the centenary of T. S. Eliot’s most celebrated work, “The Waste Land.” Why such a fuss over an old poem? https://t.co/1xBvUjzEwD — PolitiTweet.org

Posted Sept. 29, 2022