The New Yorker @NewYorker
“The more he was fêted, applauded, and celebrated, the more depressed, self-controlled, and in charge he became.” Jennifer Homans recounts the choreographer George Balanchine’s reckoning with the home he left behind during a 1962 tour of the U.S.S.R. https://t.co/9HDvAVukOp — PolitiTweet.org