The New Yorker @NewYorker
New York City Ballet’s 1962 tour of the U.S.S.R. was lauded as a political victory, but artistic director George Balanchine was unmoved. “He could no longer hold a nostalgic reflection of himself and an imagined tsarist past,” Jennifer Homans writes. https://t.co/p82efCkh0W — PolitiTweet.org