The New Yorker @NewYorker
Andy Warhol knew that a dolled-up Campbell’s soup can could be reproduced into infinity. In Edie Sedgwick, he made a repetition of himself, a doppelgänger who could accompany him out into the world to perform as part of his artist-as-the-art schtick. https://t.co/SL5P3dD6RH — PolitiTweet.org