The New Yorker

The New Yorker @NewYorker

In “Elvis,” Baz Luhrmann’s style “does more than leave smudgy fingerprints all over the material; it’s calculatedly obtrusive, as if to give viewers a thumb in the eye,” @tnyfrontrow writes. https://t.co/HV2qpc9Q9X — PolitiTweet.org

The New Yorker @NewYorker

This summer, visit “Dakota Modern: The Art of Oscar Howe,” the overdue retrospective of a remarkable Yanktonai Dakota painter, at the New York branch of the Smithsonian’s National Museum of the American Indian. It’s admission-free. https://t.co/mMP1y1YXZS — PolitiTweet.org