The New Yorker

@NewYorker ↗

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Last Checked Sept. 27, 2022

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Tue Jun 28 16:57:58 +0000 2022

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The New Yorker @NewYorker

The results of Ingmar Bergman’s 1971 film “The Touch” were inspired, revelatory—and controversial among critics who’d turned Bergman into a virtual American art-house cult, Richard Brody writes. https://t.co/gpiZscdL8h — PolitiTweet.org

Posted June 28, 2022 Hibernated

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The New Yorker @NewYorker

The artist Sam Gilliam, who died on Saturday, made meltingly beautiful paintings that appeared to make no clear point about identity—but contained inconspicuous themes of Blackness. Read Peter Schjeldahl on the artist’s life and legacy, from 2020. https://t.co/BDCr0tXC0q — PolitiTweet.org

Posted June 28, 2022 Hibernated

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The New Yorker @NewYorker

In the mood for Name Drop? Guess this director. https://t.co/wDqm4vUfLW — PolitiTweet.org

Posted June 28, 2022 Hibernated