The New Yorker

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Last Checked Sept. 27, 2022

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Fri May 06 14:55:52 +0000 2022

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The New Yorker @NewYorker

The documentary-like quality of the 1962 French film “Adieu Phillippine,” featured in a series at @MuseumModernArt, evokes the high-pressure immediacy of live television. https://t.co/1c81RCsZ1X — PolitiTweet.org

Posted May 6, 2022 Hibernated

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The New Yorker @NewYorker

Whatever you think about genealogy, it has profound ramifications for you. From the doctor’s office to the passport office, ancestry affects the social, material, legal, and medical conditions of nearly everybody’s life. https://t.co/ULBpoJNTxx — PolitiTweet.org

Posted May 6, 2022 Hibernated

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The New Yorker @NewYorker

In a new film by Audrey Diwan, a young woman seeks out an illegal abortion in 1960s France. “It is the loneliness of this ordeal, as much as the pain, that makes ‘Happening’ hard to endure,” Anthony Lane writes. https://t.co/xkDvHCzcco — PolitiTweet.org

Posted May 6, 2022 Hibernated